Review The Flash#72-Year One Chapter Three

The Flash #72-Year One Chapter Three

Writer: Joshua Williamson & Howard Porter

Color:HI-FI

We are already half way done with the 6-issue series of The Flash Year One saga. The retelling of Barry Allen’s origin story continues to unravel some aspects of the legend of the Flash that was born during the Silver Age of Comics. In the third chapter which is called the Rise of the Rouges, we see the young speedster take on the Turtle, the romantic relationship between him and Iris West develop, the prototype Flash costume, and the debut of a familiar villain from the Flash’s rogues gallery which doesn’t end well for Barry at the end of the comic.

Williamson’s writing continues to show the present-day Barry Allen develop into the hero that he will one day become. The scene where Barry takes on the Turtle shows the speedster alluding back to his childhood when he was bullied. It is in this scene that thanks to travelling to the future and meeting his olderself, Barry has chosen to once again cling on to hope like he did before his mother died. Despite Turtle rendering Barry powerless, it is with luck that Barry is able to phase through a brick wall and defeat the Turtle. The Central City Police Department arrests the villain and as a double victory, Barry and Iris begin to date.

Throughout the comic, we see Barry’s life become more balanced thanks to his speed. The comic book panels drawn and colored by HI-FI show the soon-to-be-Flash going out on dates with Iris, spending time with August Heart (the future Godspeed), visiting his father Henry Allen in prison, developing his costume further (which consists of a hoodie and red glasses), and being a hero by saving lives. The colors here used are have bolder but lighter hues which to me, evokes hope rather than the dreary colors of the dreaded future Barry ended up in.

It is not until after the scene where Iris visits Barry at his apartment, we get to the climax of the comic. After speaking with Iris about a criminal name Clive Yorkin (he was involved with the dead body during the investigation in Flash #70, Year One Chapter One). Barry investigates the case that involved Yorkin and John Banks (the dead man at the crime scene) and discovers that there is powder on Bank shoe. Barry suits up and rushes to the Central City Pharmaceuticals where he see’s  Yorkin and a group of criminals lead by one Leonard Snart, the future Captain Cold. Iris also witnesses Iris confronting Yorkin who threatens her. York pulls a gun on Iris to the point Barrry springs to action to use his speed save her from getting shot. But things go worse when the comic ends with Barry running away from the scene only to reveal that he took a bullet for Iris and is now near death at the end of the comic.

While I enjoyed the continuing story of Barry’s hero’s journey, I felt that the comic alone should have been more focused on how the Rogues came to be before showing the fight against Turtle. I am not saying that it should have had focused on all the Rogues necessarily but maybe it should have been centered around Leonard Snart and how be would eventually become Captain Cold. We only see several Captain Cold references with Snart, Yorkin, and the criminals wearing the blue glasses that Cold wears and that’s all we get.

Then again, this is The Flash Year One. However, I was hoping to see a little more about the Rogues than Barry in this one since the comic was title Rise of the Rouges. Then again, that’s just me. At least, we see the man who will one day become Captain Cold.

Overall, this was still a cool story which I give 3.8 Flash rings out of 5. The reason behind the 1.2 loss was it could have had made the comic a little Rogue centric before resuming Flash vs. Turtle. But again, that’s just me.

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Review: The Flash#71-The Flash of Two Timelines

Writer: Joshua Williamson & Howard Porter

Artist: Hi-Fi

Cover: Hi-Fi and Howard Porter

Just imagine ending up in a dystopian future in which your home town is being run by a lunatic naming himself after an animal. Also imagine coming face to face with a more older and grizzled version of yourself. In The Flash #71, the continuation of the Flash: Year One storyline, the young speedster Barry Allen does just that.

Warning: There are spoilers. If you haven’t read The Flash #71, I advise you to not read the review. Otherwise, lets read on, shall we?

The issue begins with Barry thinking back to the night his mother was killed while he was a kid. He mentions having nightmares of a future without his mother but, the future that he (pun intended) ran into was far worse. Barry meets his older self who we learn is into hiding from the Turtle who siphons speed from the living. We also learn from older Barry that the Turtle wants his speed.

As opposed to the last issue, both we and young Barry see that older Barry is actually hopeful despite the situation in Central City. When young Barry is on the run with future Barry from the Turtle’s men, the latter reprimands his younger counterpart for being pessimistic and advising him that he has to move forward. Older Barry also reminisces about being a superhero and his adventures alongside other heroes. However, older Barry is very careful not to divulge about present Barry’s future. But he does something to confirm which timeline present Barry is from.

Future Barry quizzes young Barry about the many people in his life: Iris West, Wally West, Wallace West, and his mother. It is the question about his mother that gets present Barry piqued. Barry tries to ask his future-self who killed his mother (Anyone who knows or follows the Flash knows this answer) but Future Barry is quick to pull a River Song and does not want to give out spoilers. While on the run from the Turtle and his followers, future Barry admonishes Barry about the dangers of time travel. The two come across the Cosmic Treadmill which Future Barry says that will help present Barry get back to his own time. As the Turtle’s men close in on the two speedsters, Future Barry urges present Barry to ran back in time and that if Iris ever asks, Barry should “say yes, dammit.” Older Barry gets restrained by Turtles cronies as present Barry runs in the treadmill and returns to the present time.

After returning to the present, Barry, feeling spooked by his experience, vows to never use his speed and goes back to living life as normal as he can. However, he tries to come up with a way to create the Cosmic Treadmill and even his own Flash costume. He also cannot help but feel nervous but his nerves are calmed when he thinks of his date with Iris. As he is about to meet Iris, Barry sees Central City Police officers taking on the present day Turtle. After seeing Iris run into danger and without thinking, Barry runs to save her and decides to take on Turtle while wearing his prototype Flash suit.

I enjoyed the writing that Williamson and Porter brought to this issue. I liked that in the beginning of the story, they compared Barry’s fear of a future without his mother to the dark future he found himself in. In addition, I felt that the storytellers made Old Man Flash as hopeful and positive as pre-adolescent Barry despite that he was “maybe a few years closer to the finish line.” An example of this is when the older Barry grumbles about how pessimistic his younger self is after the former laments on failing.  Another example of this is when future Barry tells his younger-self that the life he has will become awesome.

This writing showed that Barry was learning not only that he will become the Flash but that he will be that same Barry Allen he was before his mother’s death. We see a slow but gradual transition from a jaded man to a hero. And I also feel that we see the beginning of Barry becoming who he is meant to be when he decides to take a stand against Turtle.

Speaking of the Turtle, the villain is a lot like his Pre-Crisis counterpart where he siphons speed for anyone. I don’t know if Williamson and Porter channeled the Mummy movies but the scene where Turtle sucks the speed out of the victim reminds me of how Arnold Vosloo’s Imhotep would suck the life out of his victims and leave them as husks. The writers wrote the Turtle, originally a villain who used slowness as a strategy to combat the Flash, as a power and speed hungry tyrant who was not one to be messed with.  After all, lets not forget the newspaper clipping mentioning that Barry lost Central City and even future Barry admitting his defeat.

The art done by Hi-Fi and Porter in this story was detailed and went along with the story. In a splash page, we see the meeting of the two Barrys in the middle of Turtle conquered Central City. In ths splash, we see a dystopian version of Barry’s hometown full of Turtle’s men and flags bearing the Turtle’s symbol. This Central City has more of a eerie green color that represents Turtle’s iron grip. The present-day Central City is bright and hopeful and pre-adolescent Barry Allen and the Flash as we know him to be.

Another cool thing about the art was how the artists used the colors to adorn the abilities of both Flashes and Turtle. The colors red and yellow were obviously used for both Barrys as they ran. However, future Barry had a darker red which I felt symbolized his Speed Force mastery whereas younger Barry’s red is slightly lighter . The scenes where Turtle sucks the speed out of a victim showed the victim turning into a white dried up husk while Turtle’s powers are bright green light orbs that emit out of him.

While this story was awesome, I felt that we should have spent more time with Old Man Barry. What was his story? We obviously know that he was the Flash but was he from a different time line? It would have been cool to see more of how he lives hiding from the Turtle. And what about Iris? Is she in this future? Perhaps we might have some if not all of those questions answered.

Overall, I enjoyed the scenes with the two Barrys and I am looking forward to issue #72 as present day Barry Allen or Proto-Flash takes on the Turtle.

 

Rating 4.1/5

Flash #71
Barry Allen Credit:DC Comics